Downloadable HTML fileThe Lost Stradivarius by J. Meade Falkner. Page: 4

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also a more than tolerable musician. The practice of music was then very much less common at Oxford than it has since become, and there were none of those societies existing which now do so much to promote its study among undergraduates. It was therefore a cause of much gratification to the two young men, and it afterwards became a strong bond of friendship, to discover that one was as devoted to the pianoforte as was the other to the violin. Mr. Gaskell, though in easy circumstances, had not a pianoforte in his rooms, and was pleased to use a fine instrument by D'Almaine that John had that term received as a birthday present from his guardian.

From that time the two students were thrown much together, and in the autumn term of 1841 and Easter term of 1842 practised a variety of music in John's rooms, he taking the violin part and Mr. Gaskell that for the pianoforte.

It was, I think, in March 1842 that John purchased for his rooms a piece of furniture which was destined afterwards to play no unimportant part in the story I am narrating. This was a very large and low wicker chair of a form then coming into fashion in Oxford, and since, I am told, become a familiar object of most college rooms. It was cushioned with a gaudy pattern of chintz, and bought for new of an upholsterer at the bottom of the High Street.

Mr. Gaskell was taken by his uncle to spend Easter in Rome, and obtaining special leave from his college to prolong his travels; did not return to Oxford till three weeks of the summer term were passed and May was well advanced. So impatient was he to see his friend that he would not let even the first evening of his return pass without coming round to John's rooms. The two young men sat without lights until the night was late; and Mr. Gaskell had much to narrate of his travels, and spoke specially of the beautiful music which he had heard at Easter in the Roman churches. He had also had lessons on the piano from a celebrated professor of the Italian style, but seemed to have been parti

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