Downloadable HTML fileThe American Quarterly Review, No. 17, March 1831 by Various Authors. Page: 2

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by the solitary voice of the watchman, announcing the time, and the prospects of fair or foul weather for the ensuing day. Even the noise of carriages returning from revels and festive scenes of various kinds, was no longer heard--

"The diligence of trades and noiseful gain, And luxury more late, asleep were laid: All was the night's:"

All! save the inhabitants of one mansion, situated in Kildare street, who were still invading nature's rest. Why were they alone up and stirring? Why were they debarred from taking their needful repose, and obliged to employ the time which should have been devoted to it, in active occupation? The reason is easily understood. Early in the morning, the master and mistress were to set off on a trip to Paris, and there was no small quantity of "packing up" yet to be done. Trunks innumerable lay scattered about a romantically furnished bed-chamber; some were partly filled with different articles of female habiliment; others seemed to be appropriated to literary purposes, and books without number, and of all descriptions, were lying around them--here was a pile of novels, amongst which, the titles of "The Novice of St. Dominick," "Ida of Athens," "The Wild Irish Girl," &c. &c. could be discerned--there was a heap of "Travels," composed of "Italy," "France in 1816," and others:--a couple of volumes, entitled "Life and Times of Salvator Rosa," were reposing in graceful dignity on the open lid of a portmanteau. Several maids were exerting all their activity to get every thing properly arranged; all was bustle and preparation.

Adjoining the chamber was a boudoir, furnished likewise in the most romantic manner, in which sat a lady of even a more romantic appearance than that of either of the apartments. How shall we describe her? She certainly (we must tell the truth, and shame you know whom) did not seem to be of that delightful age, in which a due regard to veracity would allow us to apply to her the line of the poet, "Le printemps dans sa fleur sur son visa

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