<< previousnext >>

by medical science and recent "fasting"' experiments. The dramatic climax of the tale wherein the castaways find fresh water in the ocean is based upon a fact, one of those odd geographical facts of which the author made such frequent, skillful and instructive use.

"Michael Strogoff" which, through its use as a stage play, has become one of the best known books of all the world, was first published in 1876. Its vivid, powerful story has made it a favorite with every red-blooded reader. Its two well-drawn female characters, the courageous hero- ine, and the stern, endurant, yearning mother, show how well Verne could depict the tenderer sex when he so willed. Though usually the rapid movement and adventure of his stories leave women in subordinate parts.

As to the picture drawn in "Michael Strogoff" of Russia and Siberia, it is at once instructive and sympathetic. The horrors are not blinked at, yet neither is Russian patri- otism ignored. The loyalty of some of the Siberian exiles to their mother country is a side of life there which is too often ignored by writers who dwell only on the darker view.

The Czar, in our author's hands, becomes the hero figure to the erection of which French "hero worship" is ever prone. The sarcasms thrown occasionally at the British newspaper correspondent of the story, show the changing attitude of Verne toward England, and reflect the French spirit of his day.

---

The Survivors of the Chancellor

by Jules Verne

CHAPTER I

THE CHANCELLOR

CHARLESTON, September 27, 1898. -- It is high tide, and three o'clock in the afternoon when we leave the Battery quay; the ebb carries us off shore, and as Captain Huntly has hoisted both main and top sails, the north- erly breeze drives the Chancellor briskly across the bay. Fort Sumter ere long is doubled, the sweeping batteries of the mainland on our left are soon passed, and by four o'clock the rapid current of the ebbing tide ha

next >>